The role of
identity in The First Part of King Henry IV is displayed in a few varying
aspects. One of which that is interesting to me is the role that Prince Harry
takes on in Act I Scene II. The prince plays along and assumes the role of a
thief when he encounters Poins and Falstaff. Here, not only is the prince
playing a trick on Falstaff with thievery, but he is also playing a trick in a
sense by covering up his true identity as the heir to the throne. Though the
circumstances came upon him to mask his identity, this deceit that Prince Harry
decides to carry out works for him and towards his favor in terms of political
machinations. By disguising himself amongst the likes of the thieves, the
prince is able to remain under the political radar, so to speak, until that
time at which he will reveal himself and take up his rightful place as the
crown prince. It is revealed to the audience in the prince’s speech which
occurs at lines 206-207 that his “reformation, glitt’ring o’er my fault,/Shall
show more goodly and attract more eyes.” What this says about Hal’s assumption
of disguise is that it reaches rather beyond what will suit his means now in
laying low, but will also help him when he takes up the identity as a king in
his own right. Therefore something so simple becomes rather diabolically clever
in nature!
While
having touched upon the idea of the identity of kingship, that also reminds me
of the reoccurring symbol of the sun to symbolize that office. The sun within
the play comes to symbolize not only the king but also his reign. As in the
legacy of kings, a king’s reign comes to be a large part of what identifies him
not only as a monarch but also a man. At I.II.175-81, Prince Harry describes
himself as the sun, “herein will I imitate the sun,/Who doth permit the base
contagious clouds/To smother up his beauty from the world.” This speech is
interesting on the part of the prince, keeping in mind a few things. To me, a
very striking word in this speech is the use of the word “imitate”. That is
saying that the prince is not quite yet the sun, but seeks to be in it’s likeness.
This becomes more fascinating when later, the prince’s father, King Henry IV
himself, identifies himself as the
sun. Also, what Prince Harry is saying in these lines conveys the nature of the
deception of his identity that he is carrying out – he, the sun, hiding amongst
those lower in station to him, the clouds. This is an effective disguise for
the prince because it’s not a level of identity that he would be supposed to
have taken up. For identifying as the sun on the part of King Henry IV, that
occurs at III.II.79-83. The king describes his “sunlike majesty,” which “shines
seldom in admiring eyes.” Along with the “cloudy men” the king also mentions
like his son does, what the king’s take on the ability to identify with the sun
is less positive than the prince’s. Prince Harry sees the clouds as something
to cloak himself in until he emerges and shines. King Henry IV see the clouds
as blocking the light of his kingship, which has the effect of making him
question his identity within that role. Where the king has reservations, it can
be seen that the prince is bold. While they both identify with the sun, they do
so in different phases of the effect it has.
The Henry IV plays present a real gold mine for your critical concept, and you've extracted some great moments from the first part here. I especially like the notion of Hal's prodigal life as a form of disguise that shields him from the machinations (and possibly worse forms of corruption) of the court. And yet, as you note, Hal only steals from Falstaff what the latter has already stolen, which places a level of remove between him and Poins on the one hand and the criminality of Falstaff and Bardolph on the other. The prince, in other words, is and is not a thief. The same principle of deniability works in your smart reading of Hal's identification with the sun. This is a prince who seems to get that identities are rhetorically fashioned.
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