"For I am nothing if not critical." -- Othello 2.1.119

Thursday, April 24, 2014

History plays & Sonnets. final post, dietze


Shakespeare’s history plays often raise the question: who is really at power? With the complex construction of the body politic and the pull seen in Henry V of Hal’s struggle with the balance of kingship coupled with personal desire, reveals the topic of impermanence. Kings come and kings go. War is sieged and ended. Friends turn to enemies. But within all of this lingers the shadow of change. Sonnet 114 reflects this transforming nature, “it make of monsters and things indigest such cherubins as your sweet self resemble, creating every bad a perfect best.” One thing that Shakespeare appears to be aiming at within these is the desire for eternity or permanence in an impermanent world. Sonnet 15 finds this through keeping a person alive or youthful in poems entangled with the metaphor of nature’s endurance. In Sonnet 51, a horse-riding metaphor depicts the racing to keep up with desire of perfect love, but ultimately is metaphysical “then can no horse with my desire keep pace; therefore desire, of perfec’st love being made, Shall neigh no dull flesh in his fiery race, but love, for love.” Sonnet 4, reflects on life and the possibility of unused beauty or regret. Lugging around the big red book of Shakespeare, I can feel the weight of this longing and feel the remnants from it. What ultimately results from these plays and sonnets are their extraordinary longevity. 

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